An ongoing line of research has been the existing association and influence within my work to the era of vaudeville, which utilises humour, creativity and the absurd to form social commentary. I use these weapons in an attempt to create works on the verge of ‘entertaining’.
An interest exists with the relationship of the body and object, with both being as important a component as the other. Often there is a cross over of my installations as being considered ‘live performances’ and vice versa, where there is a human element used within the work. These installations and live events are in themselves sculptural in their existence.